The hopscotch is played with a pebble to be pushed with the tip of the shoe. Ingredients: a sidewalk, a stone, a shoe, and a beautiful chalk drawing, color preference. At the top is Heaven, below is the Earth is very difficult to reach with the pebble to Heaven, almost always miscalculate and the stone out of the picture. Gradually, however, is acquiring the skills necessary to save the various boxes (spiral hopscotch, rectangular hopscotch, fantasy hopscotch, little used) and one day you learn to leave Earth and climb the pebble to Heaven to enter in heaven (we amours Et tous, sobbed Emmanuèle face down), the trouble is that just at that point, when almost no one has learned to pick up the pebble to Heaven, just hit the child and falls in novels , in anguish to God rocket, on speculation of another sky that also needs to learn how to get there. And because he has left the children (Je n'oublierai pas le temps des cerises, Emmanuèle kicked on the floor) you forget that you need to get to Heaven, as ingredients, a stone and the tip of a shoe. That's what Heraclitus knew, deep in the shit (...) and the mucus and the semen and the smell of the dung Emmanuèle and enter the Dark path leading to the kibbutz of desire, not to ascend to heaven (up, word hypocrite, sky, flatus vocis), but man walking distance of a land of men to the kibbutz far away but in the same plane as the sky was the same plane as Earth in the filthy sidewalk games, and one day perhaps come into the world where that Sky would not be a grease-stained towel, and one day someone would see the true picture of the world, pretty patterns As Can Be , and perhaps pushing the stone, would eventually enter the kibbutz.
Rayuela, chap. 36
Rayuela, chap. 36
Impasse Lebouis. (Desde Fondation Henri Cartier-Bresson). Paris XIV
Centre Pompidou. Beaubourg. Paris III
The Tuileries. Paris I
Rue des Cascades ("Espacio Louise Michel. El tiempo de las Cerezas). Paris XX
Les Puces de Clignancourt. Paris XVIII
La Villette. Paris XIX
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